We are afraid.

We are afraid that the background of a few children from broken families and a divorced mother in Shanghai, who have no fixed work or income, will make them wander and suffer from trauma. Their fragile hearts make them lose hope in life too early. The whole film is like a garrulous Shanghai woman, expressing a way of life by chatting like neighbors. The confusion of age and gender among the characters makes the characters transcend the external perspective, love each other, and depend on each other. Of course, the director cannot but honestly reveal all the appendages hidden in the modern city: decadent nightlife, alcohol, nicotine, drug addiction, taking ecstasy, psychological problems, and the unchanging urban theme - love.