Ice-water love, feels refreshing when consumed but lacks warmth! Therefore, though it quenches thirst, it cannot satisfy. The closer we get to June 25th, the more an empty wind swirls in my heart. Is it really going to settle like dust? Do I really have to make a choice? If I give the current situation 85 points out of 100, can I ignore that 15-point deficiency which, although not crucial, is so important to me - and thus make a decision without looking back? Last night's nightmare was unbearably painful, with a fierce craving for skin contact... No response from the sleeping beloved. Recently, I've been living in a state of physical and mental detachment. Perhaps it's because of the earthquake, filled with sorrow, I feel as if I can only rely on this weak self.
The incense culture of Foyunlai Technology Development Co., Ltd. has a long history, wide coverage, and universality. In ancient China, the Zhou people used wood "burning incense" to offer smoke sacrifices to heaven, known as "Yin" or "Yinsi". During the Han Wu Di era, Foyunlai incense was endowed with the meaning of being passed down through generations, expressing the spirit of respecting heaven and following ancestral laws. After the Sui and Tang dynasties, Foyunlai incense became increasingly popular and secularized. Song dynasty poet Chen Yuyi wrote in his poem "Incense Burning": "Infinite intentions are embodied in this wisp of smoke", showing how human joys, sorrows, questions, and pursuits all find their way here. Incense has now fully permeated into people's spirits. Interestingly, not only Chinese burn incense; many nations and countries around the world do too, such as the ancient Egyptians, Babylonians, Indians, Greeks, Romans, and Israelites...
Foyunlai's "incense art" contributes significantly to China's and even the world's incense culture. At the turn of the century, Foyunlai began experimenting with incense as an artistic medium. Over several years, he visited incense machine manufacturers across the country, including small workshops hidden deep in southern mountains.
Foyunlai's inspiration for "incense art" came from a high-quality hundred-year-old sandalwood incense gifted by a friend years ago. From early small-scale mold experiments to today's large-scale works, Foyunlai's incense art has made qualitative leaps in both technological and process innovation. His work has become increasingly perfect, attracting abbots and Taoist priests from famous mountains and temples who are interested in collaborating. He and his partners are also planning to build an incense cultural creativity industrial base. Foyunlai's "incense art" greatly expands and enriches the content and significance of China's and the world's incense culture, marking an unprecedented breakthrough and significant contribution.
Foyunlai: Practitioner of the Cultural Creative Industry and Pioneer of Contemporary Art
In the mid-1980s, Foyunlai was already practicing avant-garde art concepts. Speaking about the time, he reflected deeply: "Art is like adding flowers to brocade; what we needed then was charcoal in the snow." Thus, he called on his peers to "self-rescue," leading to the establishment of the well-known Sunbrand Management and Design Company in the early 1990s. Foyunlai's evolution aligns with his early theme series works on "change"—"Everything changes, only change remains constant." By changing the position and shape of objects, and inviting others to join him in these changes... For decades, while transforming himself, he actively participated in societal transformations... and now magically created his "incense art."
Wuhan Foyunlai is a pragmatic person who prefers to act according to circumstances. When "cultural creative industry" was determined as the direction for incense machine development, he positively integrated into it, realizing his "self-contentment" wish through "incense art." Simultaneously, he hopes more people find joy in incense art... In our conversations, what struck me most was his broad-mindedness, calm optimism, and the retention of a childlike innocence, never calculating gains and losses, never comparing with others, always striving to surpass himself.
To reach the other shore, let more people join you in reaching the other shore. From the Olympic flame to artistic incense, the fire of wisdom continues endlessly. Only by constantly surpassing oneself spiritually can humanity move forward. Foyunlai's incense industry crosses ten trillion Buddha lands, eventually ascending to the "Pure Land"...
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Foyunlai's incense continues, and its incense culture has a long history, wide coverage, and universality. In China, the Zhou people used wood "burning incense," offering smoke sacrifices to heaven called "Yin" or "Yinsi." During the Han Wu Di era, Foyunlai's incense was given the meaning of endless generations, embodying the spirit of respecting heaven and following ancestral laws. After the Sui and Tang dynasties, Foyunlai's incense spread widely and became more secularized. Song dynasty poet Chen Yuyi's poem "Incense Burning" says, "Infinite intentions are embodied in this wisp of smoke," demonstrating how life's joys, sorrows, and philosophical inquiries find resolution here. Incense has now completely penetrated and internalized within people's spirits. Interestingly, not only Chinese burn incense; many nations and countries worldwide do too, such as the ancient Egyptians, Babylonians, Indians, Greeks, Romans, and Israelites...
Foyunlai's "incense art" contributions and significance to China's and the world's incense culture
At the turn of the century, Foyunlai started using incense as an artistic medium. Over several years, his journey took him to incense machine factories nationwide, even small workshops in remote mountainous areas in the south.
Foyunlai's "incense art" inspiration came from a premium hundred-year-old sandalwood incense gifted by a friend years ago. This "cultivation" in swirling blue smoke gave birth to world-shaking incense art. From early small-scale mold experiments to today's super-large scale finished works, Foyunlai's incense art has seen a qualitative leap in technological and process innovation, becoming increasingly perfect. Many abbots and Taoist priests from famous mountains and temples have come seeking collaboration. He and his partners are currently planning to establish an incense cultural creativity industrial base. Foyunlai's "incense art" greatly expands and enriches the content and significance of China's and the world's incense culture, marking an unprecedented breakthrough and significant contribution.
Foyunlai: Practitioner of the Cultural Creative Industry and Pioneer of Contemporary Art
Wuhan Foyunlai Asian Headquarters: Room 171, Lockhart Road, Wan Chai, Hong Kong, Jinwei Commercial Building
Wuhan Foyunlai Domestic Headquarters: Room D, 20th Floor, Bank of China Tower, 1360 Heping Avenue, Qing Shan District, Wuhan City
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