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Starring New One-Armed Swordsman: David Chiang, Ti Lung, Gu Feng, Wang Zhong - Flying Through Clouds

Plot of New One-Armed Swordsman: This film is a representative work of director Chang Cheh, filmed beautifully, showcasing violence and the masculinity of men. Previously, female lead roles in Hong Kong cinema held much higher status than male leads, but Chang Cheh changed this situation. In his wuxia films, whether it be "The One-Armed Swordsman," "New One-Armed Swordsman," or "King of the One-Armed Swordsman," ultimately what is conveyed is a bond between men, a masculine wuxia film that later profoundly influenced Wu Yusen's entire perspective on the江湖 (jianghu - underworld/gangster world). The first Hong Kong film to gain international acclaim and break the million-dollar box office mark, Director Chang Cheh's "The One-Armed Swordsman" was adapted from Ni Kuang's wuxia novel, with Lau Kar-leung as the martial arts choreographer. The film series not only achieved great box office success but also made stars out of the rugged men like Yu Wang, Ti Lung, and David Chiang. "The One-Armed Swordsman," "King of the One-Armed Swordsman," and "New One-Armed Swordsman" are three wuxia films produced by Shaw Brothers Studio in the 60s and 70s that sparked the "New Wuxia Era" in Hong Kong cinema and brought Chinese martial arts onto the big screen, influencing the global film industry ever since.

Chang Cheh is widely regarded as the pioneer who initiated the "New Wuxia Era" in Hong Kong cinema in the 20th century. His films emphasize reversing weakness into strength, reviving the spirit of martial valor, and reinvigorating male heroism; wuxia righteousness involves fighting to the end for oneself, one's friends, and one's nation; the style is rough and masculine, thus establishing the mainstream trend of Hong Kong films led by male stars.

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