Death, and a sense of the futility of words. Of course, there is the expression of an official in Pilate, and of pity in Christ, considering that one is the embodiment of the fleshly, and the other of the spiritual life. All this and much more flashed through Mikhailov's thoughts. And his face beamed with delight again. "Yes, and how that figure is done - what atmosphere!" said Golenishchev, unmistakably revealing by this remark that he did not approve of the meaning and idea of the figure. "Yes, there’s a wonderful mastery!" said Vronsky. "How those figures in the background stand out! There you have technique," he said, addressing Golenishchev, alluding to a conversation between them about Vronsky’s despair of attaining this technique. "Yes, yes, marvelous!" Golenishchev and Anna agreed. Despite the excited state he was in, the comment about technique struck a painful chord in Mikhailov's heart, and looking angrily at Vronsky, he suddenly scowled. He had often heard this word "technique" and was utterly unable to understand what it meant. He knew that by this term was meant a mechanical dexterity for painting or drawing, entirely separate from its subject. He had noticed often that even in genuine praise, technique was contrasted with essential quality, as though one could paint well something that was bad. He knew that a great deal of attention and care was necessary in taking off the veils, to avoid injuring the creation itself, and to take off...
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