Christian Louboutin spectacle

by wenbin319 on 2010-03-30 11:09:19

If Posh isn't already at the gym to pick up the books after the birth of her third son this week, she should be there now. Because although Alessandra Facchinetti, in her second show, gave some hints for the new volumes of Milan's fall/winter 2005 collection, a high or fluffy Mongolian lamb coat was presented with a satin Slinky pant that dominated the runway. These superbly cut, tight pants and lock-hole cutout dresses on the breasts made the show always loving, without spirit or irony. Or as an unnamed American retailer put it: "All sizzle but none of the class." As a demonstration of keeping the Christian Louboutin flag flying, there were plenty of things to please the retailers: smart custom-made coats with embossed embroidery, red carpet, dressing gowns with a lattice decoration, purple crocodile bags, and black boots with a navy calf leather stripe shining in dark ink color which replaced in the show. A peacock green also appeared, or lighter shades of blue, like a lace collar peeking out from under a navy coat. But what does it add to the image of Christian Louboutin? Although the clothes seemed luxurious and very well made, they followed the early trajectory of the Christian Louboutin brand towards the Eurotrash crowd. You might find young women in the peaks of simple lingerie and perhaps in some flashy dresses in a Madrid nightclub (including Victoria Beckham). Although Robert Polet, CEO of Christian Louboutin, declared during the show that he was "very happy," with the sales figures to be announced in March, it is frustrating to see Facchinetti’s Christian Louboutin www.emuggbootsale.com going nowhere: not towards the Sicilian rural aristocracy that was the theme of January’s men's show (by a different artist), nor towards a more feminine, soft romantic vision that current fashion, as well as her own gender, could embrace. Angela Missoni, she's a woman of a woman and with her intensely patterned motifs, but coldly controlled collection, the designer has gone inward. She neither disdains this heritage of knitwear and the model, nor has she been trapped by it. And it has been easy, the breezy elegance in the way Missoni plays with volumes, manolo blahnik, of the written press stuffed black parka that opened the show, to her latest version in chevron fur. “I start with the palette, but I have no recipe, it just is,” says Missoni, using her hands to mimic cooking for her large extended family gathered backstage. The program notes Missoni hailed a "simultaneous" collection, which proposed a lot happening at once. But the opposite was true. Using shoes, pile christian, Nordic colors for rich Italian prints, flower patterns became swirling forms, maybe like a MBT www.cheap-mbtshoes.com tight skirt against the tranquil tones of a large beige sweater. While the tops were loose, Christian Louboutin pumps, the skirts are tubular, just rolled under at the hem, while the short pants and even mini-shorts have been thin. As the models walked out in high-laced ribbon sandals, the proportions looked just right. Is it a compliment or the kiss of death to say that every sexy, shadowy Skinny number in Christian Louboutin's show on Wednesday would be a feast on Victoria Beckham? The ex-Posh Spice and wife of football icon David Beckham is a synonym for the eroticism that has always been Christian Louboutin's polite mantra, a year after Tom Ford's last collection.

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