Place the model on the left side of the drawing point, paying attention to the impact of the model's posture on the composition (the cleanliness of the background and the integration of colors can possibly highlight the theme to be expressed).
In a unified composition, exchange of gazes: http://www.leica.org.cn
2. Change the model's gaze
The eyes of a person are often the most important part of a picture. In the majority of portrait shoots, models look directly at the lens, naturally creating an "exchange" between the observer and the subject. This special "directionality," if used appropriately, can sometimes produce unique effects. However, this "direction" can directly affect the composition. If not necessary for the composition, avoid forcing it, as it might create a feeling of disconnect between the subject and the photographer.
The gaze becomes an extension of the composition.
1. Change the perspective
Most portraits are taken at eye level. Changing the angle can completely transform the expressive power of a photo. Therefore, many photography experts will tell you: stand at the highest point you can reach. Of course, lowering the camera angle can also achieve the same effect.
4. Try special lighting techniques
There are countless ways to use lighting in portraiture. Side lighting can enhance the atmosphere, single flash can highlight contours, and there are various creative light and shadow methods. Don't forget the B door when shooting at night (Note: When purchasing a camera, make sure it has a B door option).
People are the eternal subject in front of the lens. We have shared many articles about portrait photography, but we may still learn from techniques like 'shoulder' positioning and 'lighting'. In this article, many ideas presented are already classic, just applied in different ways.
5. Design special movements: http://www.leica.org.cn
Portrait photography is a collaborative work between the model and the photographer. A carefully planned photo is more likely to attract our attention than a rigid one. You can use various actions of the model to construct your frame—running, jumping are all excellent themes. Of course, the condition is that you should prepare a DSLR with continuous shooting function. (This first requires doing good homework on planning: scripting.)
6. Shoot partial close-ups of the model
This is a technique that has been repeated so many times that it has become a classic. However, not everyone can truly take beautiful close-up photos. Why? Refer to the key points about perspective in the first section (But topic selection and perspective are very important, they must have depth. Avoid taking boring and vulgar...).
3. Break compositional rules: http://www.leica.org.cn
Breaking classic compositional rules (rule of thirds) requires not only courage but also an understanding of the scene. If you need to create a strong impactful result, try placing the model at the edge of the frame.
If there were no "direction" from the gaze, this photo would be quite unsuccessful (key point).
7. Take a series of photos
The concept of winning by quantity is not simply about continuous shooting. How to select a few photos from hundreds to form a piece of work is the most challenging test for post-editing skills. Every arrangement can produce a special meaning, and there is no single answer. However, each choice reflects your understanding of composition and storytelling - this is not a problem that skill alone can solve. (Hand feel is no longer important, playing this genre requires your literary cultivation and aesthetic views...............)