Of course, it's no surprise that Christian Louboutin is at the top of the list of official shoe designers for three years in a row (they also beat Jimmy Choos), so maybe if I just posted a clip of news from the 19th (I'm so behind), asking for this information alone would be a yawn, but instead of a piece of news, I found an interview filled with free poetry. In this case, kind words don't fall flat more than flattery. To say that the journalist's descriptions are better than the French irony, who rings all the ego bells (or perhaps it’s just the French way of speaking). It's not only the red sole, undoubtedly a signature detail for those aspiring to wealth and a career and shoeaholics' eyes, but there is much in the actual design. Even if subtle, the curvaceousness alone is almost enough to define these shoes on the top shelf of luxury. But equally necessary are the heights of the heels... check! Yet, the Louboutin collections are truly versatile. We have the recognizable aspect, the genius of flattery, but we have something for most women. From stilettos to chunky heels, apartment platforms, and everything else. Maybe he has gained a certain attitude. The vision of the author of Christian is so proper Vogue-and-Rent-worthy of "pure poetry"... About the design itself of these pieces of red-lustred sole. It's not that Christian Louboutin is the king of shoes, having defeated the fabulous Manolo Blahnik both in fashion and cinema (Sex and the City II). Word even has it that Louboutin heels are more comfortable than Manolos. I find that fascinating (it's even more seductive than just the red sole). When Manolo Blahnik shoes are either simple or eccentric, and Jimmy Choos have the distinct gleam of Eurotrash to them, Christian Louboutin www.christianlouboutinoutlet.org simply says one word: sex. Everything about them - from their disco styles, to the aggressive curvature push of the shoe, to the almost pornographic red sole flashing observers from behind as the lady walks away - shouts sex. I couldn't have said it better myself, and I can't until I am entirely experiencing the pleasure. And indeed, this description is all the more important given the occasional discovery of well-written fashion commentary, which reminds us, and especially informs the nay-sayers and label-whore-name-callers, of the beautiful design underlying this tribute to footwear.
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