As mentioned earlier, he does not focus on building a plot that is ready to burst or a story with unexpected twists and turns. It is like the boneless painting in Chinese painting, which does not outline the contour with lines, but instead uses ink dots and colors, whether they are concentrated or light, heavy or gentle, to convey the spirit and achieve an effect of hazy clouds and miraculous artistic conception. But that does not mean that Wang Yuewen's "Mei Ci Story" lacks those tightly connected elements...