I had planned to go rafting in the Taihang Water Town with two good friends when we all had time, but I changed my mind at the last minute and drove to Luoyang instead. The first place we visited in Luoyang was the White Horse Temple. To be honest, of all the places to visit, temples are the ones I am least interested in. Maybe it's because I have a narrow perspective, but I think most Chinese temples have similar architectural structures, only differing in their historical and cultural backgrounds. Moreover, I don't think temples are places for relaxation. However, since we were already there, I decided to join everyone else for a cursory tour. After learning about some of the cultural and historical background of the White Horse Temple, I just skimmed through it. I was eagerly looking forward to getting to the next stop, the Peony Garden, to see the much-anticipated peony flowers.
The peony flower is elegant and noble, known as the "beauty of the nation," with a history of 1,500 years. Many beautiful legends about peonies have been passed down through folklore, and from ancient times to the present day, countless poets have written verses praising the peony. The poem that left the deepest impression on me is "Only the peony is the true national beauty; when it blooms, the whole city is moved." Over the years, people have also composed many songs about peonies. Jiang Dawei's song "The Song of the Peony" sings of the character of the peony, embodying both elegance and beauty. The peony endures coldness and becomes even more full of life, which is its most unique quality. Therefore, the peony as China's national flower has profound connotations. Luoyang, the capital of thirteen dynasties and the secondary capital of six, has led some to say that the history of the growth of peonies in Luoyang is akin to the evolution of the rise and fall of Chinese dynasties. Thus, the peony not only has a beautiful exterior but also carries rich historical and cultural significance, giving rise to the famous saying, "The peonies of Luoyang are the best in the world."
Walking through the Peony Garden truly allows one to feel the peony's surpassing beauty, its color, fragrance, and charm captivating all who see it. The colorful, dazzling peonies made me linger and get lost in admiration. However, since we didn't visit during the best blooming season for peonies, we missed seeing some rare varieties, leaving me slightly regretful. Just as I was feeling this way, a scene unfolded before me: on a patch of open ground in the Peony Garden, an elderly man in his fifties was selling calligraphy and paintings. What caught my attention was that he was using the remaining parts of his arms, each missing two-thirds of their length, to hold a brush and write and paint. This sight compelled me to approach him. His purplish-red face was etched with the marks of hardship, deep wrinkles recording the passage of time. His eyes, filled with confidence yet tinged with worry, told me he was someone who had endured trials. Standing before him, I dared not feel pity, but rather a deep sense of admiration arose within me. I approached him because his actions and spirit deeply moved and inspired me. I believe anyone passing by would be awestruck by his soul. A disabled person, someone who could have easily relied on government assistance or others, and who had every reason to beg passersby for help, was instead using his own "hands" to express his dignity, self-reliance, and independence. I stood before him, quietly observing him, making sure my children saw him too. His act of writing and painting right there was like a beautiful portrait. He showed those who are physically able but complain endlessly what perseverance and fulfillment mean, taught those who are materially wealthy yet still greedy what contentment and gratitude are, informed those who consider themselves exceptional but live complacently what diligence and hard work are, reminded those who survive by begging what shame and self-respect are, and told those who constantly complain about society and parents giving them too little what self-reliance and happiness are. I asked this old man to write the four characters "diligent study" for my child. Above these four characters, he added "study hard for the rise of China." Then, I insisted that he sign his real name. When I held the piece of calligraphy in my hands, I saw the signature: "Li Wu Bi from Luoyang." I understood the elder's intent - he was using these five characters to tell everyone a sorrowful story unknown to most, as well as a spirit of rising from adversity and striving for strength that encouraged him to walk confidently despite difficulties. I will require myself and my children to preserve this piece of calligraphy forever. Although the handwriting may not be the most elegant and was done under challenging conditions, the spiritual inspiration this elder gave me is invaluable and provides excellent material for teaching my children about character. I will hang it in the study to inspire our entire family. When I am happy, satisfied, and complacent, seeing it will make me more calm and composed. The elder's appearance might not be enviable, even somewhat unkempt, but his soul is awe-inspiring. As we left the Peony Garden, my friends and I continued to tour Luoyang's scenic spots with greater happiness, joy, and positivity.
The peony's appearance is stunning and elegant, but isn't the elder's heart equally beautiful and noble? The peony endures hardships and becomes more vibrant, and isn't the elder similarly remarkable after enduring difficulties? The journey has ended, but I will always savor the noble atmosphere, indomitable spirit, and independent qualities of the Peony Garden. Like the enchanting peony, fragrant and unforgettable, they linger vividly in my memory.