The 31st Academy Awards (1958) Best Picture: "Gigi" Best Foreign Film: "My Uncle" (France) Best Director: Vincente Minnelli for "Gigi" Best Actor: David Niven for "Separate Tables" Best Actress: Susan Hayward for "I Want to Live!" Best Supporting Actor: Edmond O'Brien for "The Big Country" Best Supporting Actress: Wendy Hiller for "Separate Tables" Best Original Screenplay: Nathan Douglas for "Chain Lightning" Best Adapted Screenplay: Leonard Spigelgass for "Gigi" Best Editing: Adrienne Fazan for "Gigi" Best Cinematography (B&W): Sam Leavitt for "Chain Lightning" Best Cinematography (Color): Charles Lang for "Gigi" Best Art Direction: William Horning for "Gigi" Best Costume Design: Cecil Beaton for "Gigi" Best Original Song: Frederick Loewe for "Gigi", "Gigi" Best Score: Dimitri Tiomkin for "The Old Man and the Sea" (Drama) Best Score: André Previn for "Gigi" (Musical) Best Sound: Fred Haines for "Sayonara" Best Special Effects: Tom Howard for "Tom Thumb" Honorary Award: Maurice Van Voir, Irving Thalberg Memorial Award: Jack Warner
The 32nd Academy Awards (1959) Best Picture: "Ben-Hur" Best Foreign Film: "Black Orpheus" (France) Best Director: William Wyler for "Ben-Hur" Best Actor: Charlton Heston for "Ben-Hur" Best Actress: Simone Signoret for "Room at the Top" Best Supporting Actor: Hugh Griffith for "Ben-Hur" Best Supporting Actress: Shelley Winters for "The Diary of Anne Frank" Best Original Screenplay: Russell Rouse for "Pillow Talk" Best Adapted Screenplay: Neil Paterson for "Room at the Top" Best Editing: John D. Cullen for "Ben-Hur" Best Cinematography (B&W): William H. Daniels for "The Diary of Anne Frank" Best Cinematography (Color): Robert Surtees for "Ben-Hur" Best Art Direction: Lyle Wheeler for "The Diary of Anne Frank" (B&W) Best Art Direction: William Horning for "Ben-Hur" Best Costume Design: Orry-Kelly for "Some Like It Hot" Best Costume Design: William Travilla for "Ben-Hur" Best Original Song: Sammy Cahn for "High Hopes" Best Score: Miklós Rózsa for "Ben-Hur" (Drama) Best Score: André Previn for "Porgy and Bess" (Musical) Best Sound: Franklin Milton for "Ben-Hur" Best Special Effects: A. Arnold Gillespie for "Ben-Hur" Honorary Award: Lee De Forest, Buster Keaton Jean Herschatt Humanitarian Award: Bob Hope
The 33rd Academy Awards (1960) Best Picture: "The Apartment" Best Foreign Film: "The Virgin Spring" Sweden Best Director: Billy Wilder for "The Apartment" Best Actor: Burt Lancaster for "Elmer Gantry" Best Actress: Elizabeth Taylor for "BUtterfield 8" Best Supporting Actor: Peter Ustinov for "Spartacus" Best Supporting Actress: Shirley Jones for "Elmer Gantry" Best Original Screenplay: Billy Wilder for "The Apartment" Best Adapted Screenplay: Richard Brooks for "Elmer Gantry" Best Editing: Daniel Mandell for "The Apartment" Best Cinematography (B&W): Franz Planer for "Sons and Lovers" Best Cinematography (Color): Russell Metty for "Spartacus" Best Art Direction: Alexandre Trauner for "The Apartment" Best Art Direction: Alexander Golitzen for "Spartacus" Best Costume Design: Edith Head for "The Facts of Life" (B&W film) Best Costume Design: Bill Thomas for "Spartacus" Best Original Song: Henry Mancini for "Never on Sunday" Best Score: Ernest Gold for "Exodus" Best Score: Morris Stoloff for "A Song Without End" Best Sound: Gordon Sawyer for "The Alamo" Best Special Effects: Gene Warren for "The Time Machine" Honorary Award: Gale Sondergaard, Stan Laurel, Hayley Mills Jean Herschatt Humanitarian Award: Sol Lesser
The 34th Academy Awards (1961) Best Picture: "West Side Story" Best Foreign Film: "Through a Glass Darkly" (Sweden) Best Director: Robert Wise for "West Side Story" Best Actor: Maximilian Schell for "Judgment at Nuremberg" Best Actress: Sophia Loren for "Two Women" Best Supporting Actor: George Chakiris for "West Side Story" Best Supporting Actress: Rita Moreno for "West Side Story" Best Original Screenplay: William Inge for "Picnic" Best Adapted Screenplay: Abby Mann for "Judgment at Nuremberg" Best Editing: Fred R. Feitshans Jr. for "West Side Story" Best Cinematography (B&W): James Wong Howe for "The Hustler" Best Cinematography (Color): Daniel L. Fapp for "West Side Story" Best Art Direction: Harry Horner for "The Hustler" Best Art Direction: Boris Leven for "West Side Story" Best Costume Design: "La Dolce Vita" (B&W film) Best Costume Design: "West Side Story" Best Original Song: Henry Mancini for "Moon River" Best Score: Henry Mancini for "Breakfast at Tiffany's" Best Score: Bernstein for "West Side Story" Best Sound: Thomas Stanford for "West Side Story" Best Special Effects: Bill Warrington for "The Guns of Navarone" Honorary Award: Hendrix, Metzler, Jerome Robbins Irving Thalberg Memorial Award: Stanley Kramer Jean Herschatt Humanitarian Award: George Seaton
The 35th Academy Awards (1962) Best Picture: "Lawrence of Arabia" Best Foreign Film: "Sunday and the Goddess" (France) Best Director: David Lean for "Lawrence of Arabia" Best Actor: Gregory Peck for "To Kill a Mockingbird" Best Actress: Anne Bancroft for "The Miracle Worker" Best Supporting Actor: Ed Begley for "Sweet Bird of Youth" Best Supporting Actress: Patricia Neal for "Hud" Best Original Screenplay: Delbert Mann for "An Italian Wedding" Best Adapted Screenplay: Horton Foote for "To Kill a Mockingbird" Best Editing: Anne V. Coates for "Lawrence of Arabia" Best Cinematography (B&W): Jean Bourgoin for "The Longest Day" Best Cinematography (Color): Freddie Young for "Lawrence of Arabia" Best Art Direction: Alexander Golitzen for "To Kill a Mockingbird" Best Art Direction: John Box for "Lawrence of Arabia" Best Costume Design: Norma Koch for "What Ever Happened to Baby Jane?" Best Costume Design: Mary Wells for "The Wonderful World of the Brothers Grimm" Best Original Song: "Days of Wine and Roses" Best Score: Henry Mancini for "The Music Man" Best Original Composition: Maurice Jarre for "Lawrence of Arabia" Best Sound: John Cox for "Lawrence of Arabia" Best Special Effects: Mike Turner for "The Longest Day" Jean Herschatt Humanitarian Award: Stefan Bourne
The 36th Academy Awards (1963) Best Picture: "Tom Jones" Best Foreign Film: "8½" (Italy) Best Director: Tony Richardson for "Tom Jones" Best Actor: Sidney Poitier for "Lilies of the Field" Best Actress: Patricia Neal for "Hud" Best Supporting Actor: Doug McClure for "Hud" Best Supporting Actress: Ruth Gordon for "The Best Man" Best Original Screenplay: James Webb for "How the West Was Won" Best Adapted Screenplay: John Osborne for "Tom Jones" Best Editing: Ferris Webster for "How the West Was Won" Best Cinematography (B&W): "Hud" (B&W film) Best Cinematography (Color): Sam Leavitt for "Cleopatra" Best Art Direction: Gene Callahan for "America, America" Best Art Direction: Dante Ferretti for "Cleopatra" Best Costume Design: Piero Tosi for "8½" (B&W film) Best Costume Design: Marcella Landi for "Cleopatra" Best Original Song: Sammy Cahn for "Dear Heart" Best Score: André Previn for "Dear Irma" Best Original Composition: "Tom Jones" Best Sound: "How the West Was Won" Best Sound Editing: "It’s a Mad, Mad, Mad, Mad World" Best Special Effects: Emil Kosa Jr. for "Cleopatra" Irving Thalberg Memorial Award: Sam Spiegel
The 37th Academy Awards (1964) Best Picture: "My Fair Lady" Best Foreign Film: "Yesterday, Today and Tomorrow" (Italy) Best Director: George Cukor for "My Fair Lady" Best Actor: Rex Harrison for "My Fair Lady" Best Actress: Julie Andrews for "Mary Poppins" Best Supporting Actor: Peter Ustinov for "Topkapi" Best Supporting Actress: Lila Kedrova for "Zorba the Greek" Best Original Screenplay: Peter Stone for "Father Goose" Best Adapted Screenplay: Edward Anhalt for "Becket" Best Editing: Cotton Warburton for "Mary Poppins" Best Cinematography (B&W): Walter Lassally for "Zorba the Greek" Best Cinematography (Color): Harry Stradling Sr. for "My Fair Lady" Best Art Direction: John Sturtevant for "Zorba the Greek" Best Art Direction: Gene Allen for "My Fair Lady" Best Costume Design: Jean Orr for "The Night of the Lizard" Best Costume Design: Cecil Beaton for "My Fair Lady" Best Original Song: "Chim Chim Cher-ee" from "Mary Poppins" Best Score: André Previn for "My Fair Lady" Best Original Composition: "Mary Poppins" Best Sound: Grover Sims for "My Fair Lady" Best Sound Editing: Reginald H. Davis for "Goldfinger" Best Special Effects: Allen S. Reisfeld for "Mary Poppins" Honorary Award: William Tuttle
The 38th Academy Awards (1965) Best Picture: "The Sound of Music" Best Foreign Film: "The Shop on Main Street" (Czechoslovakia) Best Director: Robert Wise for "The Sound of Music" Best Actor: Lee Marvin for "Cat Ballou" Best Actress: Julie Christie for "Darling" Best Supporting Actor: Martin Balsam for "A Thousand Clowns" Best Supporting Actress: Paula Prentiss for "Inside Daisy Clover" Best Original Screenplay: Frederic Raphael for "Darling" Best Adapted Screenplay: Robert Bolt for "Doctor Zhivago" Best Cinematography (B&W): Ernest Haller for "Ship of Fools" Best Editing: Harold F. Kress for "The Sound of Music" Best Cinematography (Color): Freddie Young for "Doctor Zhivago" Best Art Direction: Robert Clatworthy for "Ship of Fools" Best Art Direction: Ted Haworth for "Doctor Zhivago" Best Costume Design: Anthony Powell for "Darling" Best Costume Design: John Truscott for "Doctor Zhivago" Best Original Song: Jerry Herman for "Hello, Dolly!" Best Score: Erich Wolfgang Korngold for "The Sound of Music" Best Original Composition: Maurice Jarre for "Doctor Zhivago" Best Sound: Fred Hynes for "The Sound of Music" Best Sound Editing: Terry Rawlings for "The Great Race" Best Special Effects: John Stears for "Thunderball" Honorary Award: Bob Hope Irving Thalberg Memorial Award: William Wyler Jean Herschatt Humanitarian Award: Edmund
The 39th Academy Awards (1966) Best Picture: "A Man for All Seasons" Best Foreign Film: "A Man and a Woman" (France) Best Director: Fred Zinnemann for "A Man for All Seasons" Best Actor: Paul Scofield for "A Man for All Seasons" Best Actress: Elizabeth Taylor for "Who's Afraid of Virginia Woolf?" Best Supporting Actor: Walter Matthau for "The Fortune Cookie" Best Supporting Actress: Sandy Dennis for "Who's Afraid of Virginia Woolf?" Best Original Screenplay: Claude Lelouch for "A Man and a Woman" Best Adapted Screenplay: Robert Bolt for "A Man for All Seasons" Best Editing: Henry Berman for "The Sand Pebbles" Best Cinematography (B&W): Haskell Wexler for "Who's Afraid of Virginia Woolf?" Best Cinematography (Color): Ted Moore for "A Man for All Seasons" Best Art Direction: John Box for "Who's Afraid of Virginia Woolf?" Best Art Direction: John Stoll for "Fantastic Voyage" (Color) Best Costume Design: Irene Sharaff for "Who's Afraid of Virginia Woolf?" Best Costume Design: Elizabeth Haffenden for "The Singing Ringing Tree" Best Original Song: John Barry for "Born Free" Best Score: Ken Thorne for "Those Magnificent Men in Their Flying Machines" Best Original Composition: John Barry for "Born Free" Best Sound: Franklin Milton for "Grand Prix" Best Sound Editing: Gordon D. Sawyer for "Grand Prix" Best Special Effects: Bernard Crockett for "Fantastic Voyage" Honorary Award: Frank Freeman Yakima Canutt Irving Thalberg Memorial Award: Robert Wise Jean Herschatt Humanitarian Award: George Burns
The 40th Academy Awards (1967) Best Picture: "In the Heat of the Night" Best Foreign Film: "Closely Watched Trains" (Czechoslovakia) Best Director: Mike Nichols for "The Graduate" Best Actor: Rod Steiger for "In the Heat of the Night" Best Actress: Katharine Hepburn for "Guess Who's Coming to Dinner" Best Supporting Actor: George Kennedy for "Cool Hand Luke" Best Supporting Actress: Estelle Parsons for "Bonnie and Clyde" Best Original Screenplay: William Rose for "Guess Who's Coming to Dinner" Best Adapted Screenplay: Stirling Silliphant for "In the Heat of the Night" Best Editing: Sam O'Steen for "In the Heat of the Night" Best Cinematography: Burnett Guffey for "Bonnie and Clyde" Best Art Direction: John Brown for "Camelot" Best Costume Design: John Truscott for "Camelot" Best Original Song: Leslie Bricusse for "Dr. Dolittle" Best Score: Alfred Newman for "Camelot" Best Original Composition: Elmer Bernstein for "The Great Race" Best Sound: "In the Heat of the Night" Best Sound Editing: John A. Bonner for "Dirty Dozen" Best Special Effects: L.B. Abbott for "Dr. Dolittle" Honorary Award: Arthur Freed Irving Thalberg Memorial Award: Fritz Lang Jean Herschatt Humanitarian Award: Gregory Peck
The 41st Academy Awards (1968) Best Picture: "Oliver!" Best Foreign Film: "War and Peace" (USSR) Best Director: Carol Reed for "Oliver!" Best Actor: Cliff Robertson for "Charly" Best Actress: Katharine Hepburn for "The Lion in Winter" Barbra Streisand for "Funny Girl" Best Supporting Actress: Ruth Gordon for "Rosemary's Baby" Best Original Screenplay: Mel Brooks for "The Producers" Best Adapted Screenplay: James Goldman for "The Lion in Winter" Best Editing: Frank Keller for "Bullitt" Best Cinematography: Pasqualino De Santis for "Romeo and Juliet" Best Art Direction: John Box for "Oliver!" Best Costume Design: Danilo Donati for "Romeo and Juliet" Best Original Song: Alan Bergman for "The Thomas Crown Affair" Best Score: Johnny Green for "Oliver!" Best Original Composition: John Barry for "The Lion in Winter" Best Sound: "Oliver!" Best Special Effects: Stanley Kubrick for "2001: A Space Odyssey" Honorary Award: John Chambers Una Merkel Jean Herschatt Humanitarian Award: Maury Povich
The 42nd Academy Awards (1969) Best Picture: "Midnight Cowboy" Best Foreign Film: "Z" (Algeria/France) Best Director: John Schlesinger for "Midnight Cowboy" Best Actor: John Wayne for "True Grit" Best Actress: Maggie Smith for "The Prime of Miss Jean Brodie" Best Supporting Actor: Jack Gilford for "They Shoot Horses, Don't They?" Best Supporting Actress: Goldie Hawn for "Cactus Flower" Best Adapted Screenplay: Waldo Salt for "Midnight Cowboy" Best Original Screenplay: William Goldman for "Butch Cassidy and the Sundance Kid" Best Cinematography: Conrad Hall for "Butch Cassidy and the Sundance Kid" Best Art Direction: John DeCuir for "Hello, Dolly!" Best Sound: