The dilapidated courtyard walls, the sickly male master, and the lifeless female mistress imbue the film with a deep sense of sorrow. A tranquil small town where everything proceeds methodically, and all actions seem to be about waiting for old age to set in.
The film carries an inherent stillness. Yet it is about just a few people. One courtyard, one broken city wall. The time is after the end of the eight-year war of resistance. Amidst the need for revival, facing ruins everywhere, both materially and emotionally, there are gaping wounds, with no clear path forward or direction to turn to.
The backdrop of a great era looms faintly in the background. What brings this confusion to light are the inner thoughts of a few minor characters. Despite the limited scope, this reveals the allure of cinema - within such confined spaces, the entire world can be fully grasped.
The frailty of the male master and the listlessness of the female mistress are products of the times. However, stasis is merely a figment of imagination. The timely appearance of Zhang Zhichen, who is both a good friend of the male master Li Yan and an ex-lover of the female mistress Yu Wen, symbolizes a turning point in the era, presenting new choices for personal destinies.
The contrast between surface tranquility and intense internal conflict sets the stage for a dramatic performance. Beneath the calm lies a torrent ready to burst forth at any moment.
Yu Wen, suppressed, has grown accustomed to a life devoid of interest. Taking walks on the old city wall during her daily errands has become her sole source of enjoyment. The reappearance of Zhang Zhichen, still cherishing her, gives her hope.