Recent specialized observations have been made on the color melodies in average律 painting (decomposed chord progressions, scalar progressions), aiming to identify the perceptual directionality of melodies (sensory purposes). The two example figures in the article are a summary of the trial project!
(Note: "平均律" is translated as "average律" here because its direct translation "equal temperament" doesn't seem to fit perfectly in the context of painting. If it was used metaphorically or mistakenly for music theory, further clarification might be needed.)
A more refined version could be:
Recent specialized observations have focused on color melodies in paintings following an averaged scale (including decomposed chord progressions and scalar progressions), aiming to explore the perceptual directionality of these melodies (their sensory applications). The two example figures in the article serve as a summary of this experimental project!